|
The Green Shutter, "For the Freedom of France" magazine clipping. The Historic New Orleans Collection, Bequest of Mettha Westfeldt Eshleman, 2001-52-L.17
In the Roaring 20s, feisty Uptown socialite Martha Westfeldt opens a French Quarter bookstore that becomes Bohemia Central. - by Michael Warner
O the Green Shutter, the Green Shutter,
Where artists fume and poets sputter, Where books are read but seldom bought And many a battle of words is fought, I will recall with my heart’s last flutter That heathen crowd at the Green Shutter. [1] 
Martha Gasquet, around 1900. (Photo reproduced courtesy the Historic New Orleans Collection)
Martha Jefferson Celine Gasquet was born in New Orleans in the spring of 1883 to Francis James Gasquet (1835-1907) and Louise Lepeyre (1845-1913). Francis was a wealthy landowner and industrialist from Virginia, a handsome man with blond hair and blue eyes. Louise was a cousin ofJohn Singer Sargent’s Madam X, whose sensuous portrait had scandalized Paris a generation earlier—the Louisiana-born Virginie Amélie Avegno, known in France as Madame Pierre Gautreau. The youngest of five children, Martha grew up as a classic fairy tale debutante and socialite. She spent summers abroad or in cooler northern states, and had her debut at a New Year’s Eve costume ball in 1900. During Mardi Gras in 1902 she was surprised to be selected from a crowd and crowned queen at the Krewe of Nereus ball. Shortly after the turn of the century, Martha met another wealthy New Orleanian, George Gustav Westfeldt (1880-1961). George was active in politics and the arts and was heir to the Westfeldt Bros. coffee importing business, and was a leader of Crescent City society (on Mardi Gras in 1947, George rode enthroned through the streets as Rex, King of Carnival). Martha and George wed on October 28, 1905. 
Martha Westfeldt had many gifts; for example, she was a ceramicist and an artist, mostly a talented cartoonist. But she was also an astute businesswoman. Around 1920, she began to buy properties in the French Quarter, with an eye toward historic preservation, and many of her purchases were near the corner of St. Peter and Royal Streets. She donated temporary space in one such house at 629 Royal Street to the newly-formed Arts and Crafts Club for their official charter on June 1, 1921. But by November of that year, Martha founded—at this same address—a social coffeehouse and tea salon that she named the Green Shutter. Presumably, they served Westfeldt Bros. coffee. Soon the shop moved next door to 633 Royal, where it settled in for many years. Initially it was a small restaurant, but Martha also sold artwork and, with the aid of a few employees, began a trade in books and antiques. She also operated a kiln in the back courtyard and sold her ceramics in the shop. From 1922-1924, the Green Shutter was the fashionable place for artists and socialites to entertain. 
The Green Shutter eventually expanded to include a cottage at 710 St. Peter Street. (Photo circa 1920s by Pops Whitesell, reproduced courtesy the Historic New Orleans Collection)
710 St. Peter Street, 2019, FQJ archives photo.
The passageway between 633 Royal and 710 St. Peter Street circa 1920s. Photo by Frances Benjamin Johnson, Library of Congress.
Martha continued to support New Orleans arts, and many of the best-known local artists showed works in the Green Shutter, including Alberta Kinsey, William Spratling, Morris Henry Hobbs and Clarence Millet. Before long, the shop expanded into 710 St. Peter Street, just around the corner, and patrons could access either building through a passage in the courtyard. Among its patrons, the Green Shutter drew now-famous names, including William Faulkner, Sherwood Anderson, William Spratling, Lyle Saxon and Roark Bradford. Under the Green Shutter label, Martha even published at least one book, Mollie E. Moore Davis’ Selected Poems (1927). New Orleans writer and bon vivant Lyle Saxon observed the activities at the Green Shutter approvingly:
By the early 1930s, gatherings at the Green Shutter took a more serious tenor, and luncheon topics covered politics and women’s issues. Martha became one of the founders of the Women’s Committee of Louisiana, the main thrust of which was to recall the mercurial Louisiana senator, Huey P. Long.
Long was always the source of controversy, and was not infrequently accused of wrongdoing. While governor, he survived an impeachment attempt, and there were allegations of corruption and fraud in Long’s 1932 senate campaign. The Women’s Committee formed shortly after the 1932 election and was headed by a friend and colleague of Martha’s, Hilda Phelps Hammond. The two women found Long’s brash personality and tactics offensive. Martha also supported Roosevelt’s New Deal, which Long often criticized. In support of the Women’s Committee, Martha donated office space on the second floor of 633 Royal. And to benefit the committee, she organized well-advertised antiques sales at 710 St. Peter. The Times-Picayune newspaper, never a friend of Long, provided ample free publicity. 
Illustration from article in the September 2, 1932 edition of the Austin American-Statesman newspaper (syndicated illustration), introducing the leaders of the Women’s Committee of Louisiana. Left to right: Hilda Phelps Hammond, Ida Weiss Friend and Martha Westfeldt.
The committee grew to a membership of over 1500 women, but met with resistance from many corners of Washington. Although backed by national newspapers and growing popular support, their petitions to investigate and recall Long made slow progress. However, the committee’s work became moot upon Long’s assassination on September 5, 1935, at the steps of the capitol building in Baton Rouge. A year or so later, the group dissolved.
Martha remained active in important issues, however. During World War II, she ran a branch of a national organization called France Forever from the rooms of the Green Shutter, raising funds for French soldiers and donating food and goods to French and Belgian families caught up in the war.
Newspapers recounted that, while she held a meeting of France Forever at her home one day, eight Vichy French sailors showed up and asked Martha for help. The Vichy regime was a puppet government set up after Germany overran France. The sailors had jumped ship and somehow made their way to New Orleans.
Martha secreted them in her Garden District backyard, and later hid them at the Westfeldt summer home in Waveland, Mississippi, until they could be sent to New York and then onward to support the Allied de Gaulle forces.
After the armistice, France recognized her work and made her a Chevalier of the Legion of Honor. Belgium honored her with the Silver Medal of the Order of the Crown.
In the years after the war, Martha returned to life as a socialite and philanthropist. With the exception of an occasional letter to the editor, she largely retired from politics. The Green Shutter was turned over to the American Cancer Society as a headquarters. But Martha did not disappear. She found a cause in support of the New Orleans Public Library, and she often published her favorite recipes in the Times-Picayune. Here is Martha’s courtbouillon recipe.[3]
Martha Westfeldt died from a heart attack on April 15, 1960 and was survived by her husband George, four children and multiple grandchildren. She is most remembered for her contributions to the arts and society through her work at the Green Shutter, but her legacy in politics and social work extends much further.
Today the Royal Street location of the Green Shutter is occupied by Naghi’s, an antiques store and art gallery. Owner Effie Naghi has been in that location since 1986. He still has the original Green Shutter sign, stored upstairs in the building's attic.
Special thanks to The Historic New Orleans Collection for use of several images in this story.
633 Royal, 2019, FQJ archives photo.
[1] Carl Carmer, “Song for the Green Shutter,” French Town (New Orleans: The Quarter’s Bookshop, 1928) unnumbered page.
[2] Lyle Saxon, “What’s Doing,” Times-Picayune Sunday Magazine, October 25, 1925, p. 2. [3] “Favorite Dishes of Prominent Women,” Times-Picayune, November 10, 1950, p. 44. 
Michael Warner is a native New Orleanian who writes about Louisiana and Mississippi Gulf Coast. In his day job, he is general counsel for a biotech startup in the San Francisco area. But in his evenings, he researches and writes about coastal food, history and art. Warner recently won second place in the fiction category of the 2019 IndieReader Discovery Awards for his edited anthology of Lyle Saxon’s early works, A Lyle Saxon Reader (Cultured Oak Press, now available from local book stores). He is currently working on a biography of New Orleans artist Charles Whitfield Richards, and on a novel based in the French Quarter during Prohibition. You'll find more of Warner's work on his Cultured Oak website.
Comments are closed.
|
Archives
October 2021
Categories
All
|
RSS Feed
